Farlands on Xbox doesn’t greet you with fireworks or a dramatic hook, it simply drops you onto a quiet, unclaimed planet and lets the silence do the talking. There’s a gentle confidence to the way it begins, inviting you to slow down, take a breath, and start shaping a world from scratch. What follows is a soothing blend of exploration, construction, and quiet routine, the kind of game that trades spectacle for presence. It’s not trying to dazzle you; it’s trying to settle yo

There’s a particular flavour of horror that only VR can deliver, that creeping, throat‑tightening dread where you’re not just playing a game, you’re standing in it, breathing its air, waiting for the walls to twitch. Evil Inside VR absolutely understands that. It’s a small, nasty little haunted house that wants nothing more than to sit two inches from your face and whisper, “Don’t turn around.” And on PSVR2, that whisper lands. You’re dropped into a single suburban home, blan

The Empty Desk is one of those corporate‑horror mysteries that starts with a whisper and slowly tightens its grip. What begins as a simple missing‑person case spirals into a supernatural conspiracy buried inside a monolithic London office tower, the kind of building where the lights never turn off, the motivational posters feel vaguely threatening, and every corridor looks like it was designed by someone who hates joy. You play as Detective Thomas Bennett, a week from retirem

There’s a moment early in Order 13 where you’re jogging down a dim aisle, clutching a packing slip, and you hear something shift in the dark. Not a monster roar. Not a jump scare sting. Just… movement. The kind that makes your shoulders tighten and your pace quicken. And that’s when the game clicks: this isn’t a horror game about what’s hunting you, it’s about the dread of being watched while doing a job you never signed up for. Developed by Cybernetic Walrus and published by

There’s something instantly disarming about Manairons. It’s not just the miniature world or the cozy 3D platforming; it’s the way the game leans into Catalan folklore with such sincerity that you can’t help but be pulled in. You play as Nai, a manairó which is a tiny magical being traditionally summoned from a wooden canut, who awakens after centuries to find that the peaceful village of Vilamont has been transformed by noise, machinery, and the ambitions of a landowner who s