Section 13 drops you into a claustrophobic sci‑fi nightmare where every corridor feels like it’s waiting to swallow you whole. It’s a twin‑stick roguelite built around tension, repetition, and the slow, stubborn satisfaction of pushing a little further each run. The isometric presentation is crisp and moody, with stark lighting and a rotating camera that gives each floor a sense of shifting unease. What really sells the atmosphere, though, is the voice work: your handler, you